Celery and AA Milne

I find it sometimes depressing how many donated-to-Oxfam books I throw away instead of taking them home to read.

But you can’t read all of them – and I could almost feel as if I have read all the Waverley novels by dint of the number I have touched and, I afraid, consigned to recycling.

Also, as I have said before, there are a lot of books that never should have been written – including the complete oeuvre of Jeremy Clarkson.

Anyway, I did, one day recently, pick out a small book by AA Milne. Although I knew he had written more than Pooh books, I had never read anything else by him nor really come across anything.

So, when I found it lying in amongst some dog-eared Jane Austen I bought it.

It is called ‘Not That It Matters’ and is a collection of essays about all sorts and not much.

(I would be tempted to say something about how these could have been great blogs if that wasn’t such a crass statement, so I won’t – but of course they could have.)

One is about eating celery and is called, ‘A Word for Autumn.’

This is how it starts:

‘ Last night the waiter out the celery on with the cheese, and I knew that summer was indeed dead. Other signs of autumn, there may be – the reddening leaf, the chill in the early-morning air, the misty evenings – but none of these come home to me so truly. There maybe cool mornings in July; in a year of drought the leaves may chance before their time; it is only with the first celery that summer is over………..

‘There is a crispness about celery that is of the essence of October. It is as fresh and clean as a rainy day after a spell of heat.’

I am so enamoured of AA Milne’s writing that I am tempted to type out the whole essay but I will desist. (After all supper calls.)

I like this essay – ad many of the others – because it says so much about the social mores of 1928 and the expected reader – of course you would be somewhere where your celery was given to you by a waiter.

Further on he writes about how outraged he is when a fellow diner – ‘Another diner came in and lunched too ‘ – who reached across and took the celery.

After some explanation of how he had been keeping the ‘sweetest and crispest shoots till the last, ‘ he turns to the fellow diner and celery-stealer – ‘He realized later what he had done and apologized, but what good is an apology in such circumstances?’ ( interesting that AA Milne or at least his publisher, used American spellings)

I also love it because it says so much about how to write well about nothing much – something I would love to be able to do.

And finally, I like this essay because it reminds me that celery was once seasonal.

Being a bit of a foodie in my spare time, and having lived sur le continent I like to think that I do seasonal stuff – asparagus in its time, lamb in spring but mutton in autumn etc.

But celery is always in my fridge, I love the stuff and had completely forgotten that in my childhood it came in autumn and was not around in summer.

So, I sit here in March looking out on a great sunset after a hail-storm and after I have heard the first larks on the Downs and am ashamed.

But I am going to make celery gratin tonight and eat it with relish.

Katharine Adams

So, I was tracking down a book-binder in the hope that I had lit upon a book-binding treasure.

I contacted the Society of Bookbinders and asked them, and a very nice man called Mel emailed back to say he thought he recognised the signature, but would consult with a man who would know.

It turns out the lovely little book (see below) that I wanted to take home and stroke, was bound by Katharine Adams.

She was born in 1862 and her childhood friends included the daughters of William Morris and she moved in the Arts and Crafts movement circles.

Eventually she established the Eadburgh Bindery in Gloucestershire and employed two women assistants. (Apparently it was difficult for women to get into book-binding in those days because male book-binders were not keen to apprentice them.)

Not surprisingly then, she was largely self-taught and made her own tools to make her bindings which were usually intricate, with fine gold details.

She exhibited around the world and became president of the Women’s Guild of Art and she died in 1952 having completed about 300 bindings.

And we have one of them in the shop. It is not intricate and detailed, but it is lovely.

The man who identified her mark, might be interested in buying it but I can’t ask a potential seller to value it, so now I have to find out what it is worth and sell it.

According to the UNHCR, about nine million Syrians have fled their homes since the outbreak of civil war, taking refuge in neighbouring countries or within Syria itself. More than three million have fled to Syria’s immediate neighbours – Turkey, Lebanon, Jordan and Iraq and more than six million are internally displaced within Syria.

Here is a link to some of their stories http://data.unhcr.org/syrianrefugees/syria.php

IMG_1135 So, we need Katharine Adams to raise as much money as possible.

Oxfam Bumper Week Part II

As I had the Old Book Expert in the shop with me – checking the value of the £700 book ( see previous blog if you are interested) – he said we could together go through the teetering pile of books that I could not value.

Of course, most were nowhere near as valuable or exciting as I had thought, but one was really interesting.

Another thing you may not know about books, is that sometimes it is the binding that matters – not the book.

There are very famous binders and they leave a very tiny mark on the book – so small you can easily miss it.

It is one of the many interesting things I have learned from the Old Book Expert and here was a lovely little book.

It was something you wanted to hold in your hand. It was soft and smooth and it had a binder’s mark.

The book, he said, was of no interest but that didn’t mean much. Often bookbinders will just take a book and bind it for the sake of having a nice bound book.

The mark looks like it is Arts and Crafts style and the date is right but is it the work of an amateur who has created something very nice indeed, or is it the work of someone well known in that period and worth a lot?

We don’t know.

So, I have contacted The Society of Bookbinders in the hope they can enlighten me but it seems they are not people who feel the need to read or reply to emails with any great speed. That, no doubt is because they practice a craft which is slow, carefully done, craftsmanship – and they don’t feel the need to respond to some woman from an Oxfam shop.

We will have to wait and one day I shall find out if this delightful, gorgeous little book is worth a lot or a little.

If it is a little, it will be bought by me and stroked of an evening.IMG_1127

Finally, of this bumper week of Oxfam excitement a signed copy.

I am not sure I really understand the interest in signed copies of books if they are not dedicated to you or someone really famous like Dickens, but they do sell so I have one of my many boxes dotted around the upstairs rooms of the shop assigned to signed copies.

I found The Gate of Angels by Penelope Fitzgerald which was signed. I am a huge Fitzgerald fan and she didn’t write a lot of books – but each one is a jewel as far as I am concerned.

So, for the first time, I was interested in a signed book even though I had never met her and she had certainly not signed it for me.

I was going to push the boat out and pay the £10 I thought it might be worth.

There is currently only one for sale on the internet – hardback and first edition – and it is nearly £700.

Now, before we all get too excited, it is from an American seller and they always inflate the prices and I think s/he may also have inflated the price because s/he has the only one for sale.

Even so, it won’t be coming home with me anytime soon.

So, if you know the bookbinder with the mark in the picture, please let me know and if you want to buy

The Gate of Angels for, let’s be generous, £500, do let me know.